All in a Day's Walk

A month-long slow food walking performance

Archive for Merlin

Slow activism gone viral?

Cobrey berries

A day at home walking dogs, feeding the horse.

A daily commitment to the animals is easy to incorporate into a life practice. A domestic commitment to and existence with other humans is more difficult to interface with a performance practice, I am discovering. When I first performed this score, I was living alone. I was encountering – socially and otherwise – lots of other people. But the duration and nature of our encounters provided a frame – an imaginary minimalist conceptual proscenium arch – through which I could perform and they could observe. There was a great deal of curiosity, interest, sometimes concern, and sometimes antagonism about what I was doing. But once I was alone, I was alone with the score and I adhered to it rigidly. I had a commitment to the practice.

I didn’t even eat salt.

Now I am living with others – my partner, his son – and the frame has shifted and there are reluctant co-performers inside it. While I know there is a fundamental respect for what I do and am doing, there is also a concern for my well-being and a healthy, affectionate amusement with the whole concept of conceptual eco-art. They want to support me at the same time as they want to subvert the score, which is ultimately compromising me. And my hunger doesn’t take much persuading.

So I’m finding it hard to adhere to rules #2 and 4 of the score when I’m surrounded by the concern as well as the food of others. I’m also an inherently polite activist: I don’t want to be rude or ungrateful. The other day, Callum walked the 5 miles back from Ross-on-Wye with a bag of food from a specialist local-food delicatessen Truffles. Concerned that I was ‘walking everywhere eating nothing’ and with some time to spare, he’d been in, explained what I was doing and bought as much local produce they could determine was grown within walking distance: strawberries, blueberries, raspberries from Cobrey Farm, cheese and spinach pie with ingredients from Newent and they’d even thrown in a small quiche in sympathy with the apparent craziness of what I was doing. He’d got them to write down where everything came from ‘so you’d believe me’ and then he’d walked home from Ross, ‘so it wouldn’t compromise the rules’. It was really touching. So, there was no way I was going to point out that the pastry of the spinach pie was made from flour that undoubtedly was milled if not grown outside the county. I ate it and it was delicious.

It also made me think, on a carbohydrate high, that maybe it’s these conversations that people are having about what I’m doing – even if that’s expressing consternation about craziness – that are what the practice is about. If the score is intended to provoke thought and conversation, then it doesn’t matter who’s having those conversations or why, does it? In fact, it’s even stealthier than I thought : slow food-slow activism gone viral (in a rural kinda way)…

Truffles goody bag

Equine empathy

Merlin at Adam's Cot

Yesterday was a long and hot and hungry horse-relocating day. (I got so faint and stomach-crampy, that my partner fed me some non-local sourdough bread. Sorry, but it was necessary.) Now Merlin is calmly installed in his new home next to the growing vegetables (Martin the proprietor of Adam’s Cot is also a supplier of excellent local veg boxes).

Today is about beginning to cultivate Merlin’s own landscape empathy.

Back before I even contemplated or conceived of the idea for this performance, I’d long been interested in connecting my artistic and domestic practices, or my rituals of exercise (walking, running, riding) with more practical pursuits. (I waffled on about this way back in December in ‘Home is where the art is…’. But more and more I am discovering that this is becoming a preoccupation for many artists, interestingly most often those living and working rurally.)

At Caplor, one of my favourite short rides on Merlin was a jaunt (usually bareback) across the lanes and fields to buy honey. This route became known, famously, as the ‘Honey Run’. Here I already seem to have discovered a new equivalent: the walk up to Aston Crews to buy duck eggs. ‘Duck Run’ isn’t cutting it, but they have hens eggs too. So, with apologies to Aardman, it’s ‘Chicken Run’.

Merlin and combine

Horse hiatus

No, not a hernia of equine proportions from all this walking and vegetable-lugging.

Today is an important one: after 10 years living at Caplor Farm, my horse Merlin is moving down to join us in Lea. He will have a new home at Adam’s Cot, the farm next door. He should have been moved before I started the performance (because I can’t walk the 18 mile round trip to Caplor and back everyday to see him; or expect someone else to look ater him for a whole month) but the logistics didn’t work out.

So this is a necessary hiatus in the performance. I will be accepting a lift up to Caplor to pack him and his red-and-white spotted handkerchief of buckets and haynets. And accepting a lift back in the horse-box to deliver him home.

I will still be consuming local food in the process, however. (Hopefully.)

Meanwhile, some images from 10 glorious years at Caplor…

Merlin - Long Meadow, Caplor Merlin and Kizzy - Long Meadow, Caplor Merlin - Long Meadow/Gypsy Field, Caplor Merlin - Rough Patch, Caplor Merlin - bareback Rough Patch, Caplor Merlin and Proven wind turbine, Caplor Merlin in the garden, Caplor Merlin grazing around the yurt, Caplor